Symbolism in Dream Theater's Octavarium
Written/Compiled by Spatter
The Octavarium Romanum is a liturgical book which may be considered as an appendix to the Roman Breviary, but which has not the official position of the other Roman liturgical books. The first mention of this book dates from Sixtus V. In order to introduce a greater variety in the selection of lessons, he ordered the compilation of an Octavarium to comprise the lessons proper to each day of the octaves, the 8 days following a feast.
However, this is a very obscure reference, and most likely has nothing to do with the Dream Theater album. A different approach to find meaning would be to dissect the word itself.
The word Octavarium can be split into the Latin octa, meaning "8," and varium, meaning "different". So, one interpretation would be that Octavarium means "8 variations."
Or, you could split the word into octave, meaning "group of 8" and the Latin suffix arium, meaning "a place where something is kept." Perhaps the best interpretation for the word Octavarium would be "an 8-sided room," which is something you could obviously be trapped inside.
An octave also has special meaning in music as the grouping of 8 notes, in which the first note is the same as the last note, but an "octave" higher. A, B, C, D, E, F, G, A
Prominent symbol throughout the artwork is the 5-pointed star inscribed in an octagon… hence, the numbers 8 and 5.
General Information
CD Case
Booklet
Booklet (Cover Image)
Booklet (Domino Image)
Furthest
domino has sum of 8
Booklet (Spider Maze Image)
Booklet (Underwater Image)
Booklet (Blueprint: Star Inscribed in Octagon)
References to 8 & 5 within the music
Full Circle References
The idea of coming back to where you began is a theme prominent in this album. Several times you will find ties between the beginning and the end.
"Octavarium Part IV. (Intervals)"
This section of "Octavarium" consists of 8 stanzas building up to the climax of "Trapped inside this Octavarium." Each stanza also corresponds to one of the 8 different songs on the album, both lyrically and musically. Each stanza includes 3 references:
Stanza 1:
"Our deadly sins feel his mortal wrath / Remove all obstacles from our path"
Stanza 2:
"Asking questions / Search for clues / The answer's been right in front of you"
Stanza 3:
"Try to break through / Long to connect / We fall on deaf ears and failed muted breath"
Stanza 4:
"Loyalty, trust, faith and desire / Carries love through each darkest fire"
Stanza 5:
"Tortured insanity / A smothering hell / Try to escape but to no avail"
Stanza 6:
"The calls of admirers / Who claim they adore / Drain all your lifeblood while begging for more"
Stanza 7:
"Innocent victims of merciless crimes / Fall prey to some madmen's impulsive designs"
Stanza 8:
"Step after step / We try controlling our fate / When we finally start living it has become too late"
Negative Time: Song Intros and Time Discrepancies
Stick the CD in your computer and you will find that the total play time for the album is approximately 75:44. Yet, if you add up the song times on the back of the CD case, the total comes to 73:26. Where is the extra 2:18?
Going back to the idea of each song being a different "white" key on the F Lydian mode octave, as viewed on the back of the CD case, this extra 2:18 is expressed as the "black" keys.
According to the CD case, "The Root of All Evil" has a track length of 8:07. Yet the track is actually 8 minutes and 25 seconds. The song itself seems to end at the 8:07 mark, but the track continues. It plays 18 seconds of nature sounds which lead into "The Answer Lies Within."
The last 18 seconds of track 1 is actually part of the second song. Therefore, the second song starts 18 seconds before the second track. This is referred to as negative time, as you would have to "rewind" the CD 18 seconds from the start of track 2 to get to the start of song 2.
This occurs for many songs on the album. Below is a chart showing the actual ending times for the songs and any negative time.
|
Track |
Relative Start Time |
Relative End Time |
Song |
Piano Key |
|
1 |
00:00 |
08:07 |
"The Root of All Evil" |
White |
|
1 |
08:08 |
08:25 |
Negative Time intro to "The Answer Lies Within" |
Black |
|
2 |
00:00 |
05:20 |
"The Answer Lies Within" |
White |
|
2 |
05:21 |
05:33 |
Negative Time intro to "These Walls" |
Black |
|
3 |
00:00 |
06:59 |
"These Walls" |
White |
|
3 |
07:00 |
07:36 |
Negative Time intro to "I Walk Beside You" |
Black |
|
4 |
00:00 |
04:29 |
"I Walk Beside You" |
White |
|
5 |
00:00 |
07:16 |
"Panic Attack" |
White |
|
5 |
07:17 |
08:13 |
Negative Time intro to "Never Enough" |
Black |
|
6 |
00:00 |
06:33 |
"Never Enough" |
White |
|
6 |
06:34 |
06:46 |
Negative Time intro to "Sacrificed Sons" |
Black |
|
7 |
00:00 |
10:42 |
"Sacrificed Sons" |
White |
|
8 |
00:00 |
24:00 |
"Octavarium" |
White |
As you can see, the album's song separations follow the piano key pattern shown on the back of the CD case. (White, Black, White, Black, White, Black, White, White, Black, White, Black, White, White)
Musical Allusions
Lyrical Allusions in "Octavarium
Part III. (
Verse 1:
sailing on the seven seize the day tripper diem's ready
jack the ripper owens Wilson Phillips and my supper's ready
lucy in the sky with diamond dave's not here I come to save the
day for nightmare cinema show me the way to get back home again
Verse 2:
flying off the handle with careful with
that axe
messiah light my fire gabba gabba
hey hey my my generation's home again